Andrew Sullivan’s The Poison We Pick & Isle of Dogs

Opioids are just one of the ways Americans are trying to cope with an inhuman new world where everything is flat, where communication is virtual, and where those core elements of human happiness — faith, family, community — seem to elude so many.

The following is from a brilliant article by Andrew Sullivan regarding the Opioid epidemic, and one I cannot commend enough for its scope and brilliance. Andrew Sullivan is a terrific writer, but what makes this piece particularly special is his understanding and compassion toward users and abusers of opioids. It paints a picture of a country that has lost its way, and that has left people behind. Empty voids can be filled in devastating ways, and this is no different. If you want to understand the United States today, look no further than this brilliant piece of journalism.

 I couldn’t get past Anderson’s usual clumsiness when dealing with minorities. This is a film where a character is literally whitewashed, an act that makes him more agreeable afterwards. “Isle of Dogs” treats this as a sight gag. It plays more like a confession.

This is from a review of the movie Isle of Dogs by Odie Henderson, a great writer for the Roger Ebert site. The review dwells over a few characters including  who are deemed as culturally problematic, most notably a girl in the film named Tracy who is perceived by Henderson to be the “white savior” of the film.

To me, while there were oblique symbols used that may have been misappropriated, I really do not know understand why we have to look at Tracy’s race before dealing with her as a character. Anderson could have been more careful, but this is his world and he choose to have a character with unique story and connection to the case in order to make it palpable. If she was of color I do not think that would have changed anything, and she did not have to be if Anderson did not see it that way. I do not think characterizing it as cultural appropriation is fair, as it is a slippery term to begin with and directors should be able to write their own stories without fear of fitting into a narrow cultural frame.

I liked the movie overall, but was a bit underwhelmed at points. I think Wes Anderson is an incredibly creative mind, and I love much of his work. The animation in this film is particularly astounding including a terrific voice cast. Edward Norton, Frances McDormand, and Bryan Cranston are just a few of the voices for this film, and that is not even the tip of the iceberg. While this film could have been more well thought out, it is hard to be too angry when this film is as fun as it is with so many great performances. 8/10