Get Out – Jordan Peele’s first film I had avoided because I was afraid. I am really disappointed that I did, as this film is not focused on being scary. Rather it is focused on its social commentary, a welcome relief. The beginning build up is slow but incredibly well done, as it keeps us engaged with what will happen next. The finale is a bit over the top, and the story itself goes a bit overboard. That does not take away from what this film accomplishes, as it manages to be a fun and engaging horror with commentary to make it unique. Jordan Peele is a man of the pop culture moment, and it is understandable why this film elevated his status. 7.5/10
Widows – This was a film I wanted to see last year but unfortunately was unable to. This movie does a terrific job at being tight and ratcheting up emotion without using too much dialogue. It is also a unique Heist movie, as it forces characters into a heist rather than make them willful participants. It gives a heist film plenty of emotional weight, making it that much more rewarding than I expected. It also tells an incredibly complex story, but one that is deeply satisfying. My biggest complaint is that its tightness works against the film, as it is simply too complicated to compress. Complicated plots lead to subplots which lead to more subplots. I wish there were more time to really explore this but it simply runs out of time. This would have made for a terrific TV miniseries, but instead it is a very good movie, one still worth seeing even if it can be a bit confusing. 8/10
This album is so pretty, confident, and considered that you wonder why he named it IGOR. Tyler, the Creator’s not a freak or a goblin or a monster anymore.
I love Tyler, The Creator and with his release of his new album IGOR he begins to reshape his style after coming out of the closet on Flower Boy. His maturity is beginning to show, which is a much appreciated step since his days with Odd Future. One of my favorite parts of this album is how he plays with different gender roles, and attempts to craft a new persona. Particularly the music video for the song “Earfquake,” shows him playing with stereotypes and ideas that are brilliant.
However, I still wish he had an edge, and I miss it on this album. It is still a great project full of terrific songs, but it is about their artistic quality and less about Tyler’s emotions. Tyler’s emotions are what I find the most captivating, and that is sorely lacking on IGOR. Part of what attracted me to Tyler was his deep-seated anger, and how he dealt with it. In my favorite album of his, Wolf, he brilliantly fluctuated between anger and appreciation, struggling to put his feelings into music. This album feels earned after the success and sincerity of Flower Boy, and I am glad that he has begun to figure out how to be happiest. I just miss some of the edge that got him famous in the first place, and I wish it was more present here.